The first Exhibition was curated and organised by Matthew Fall McKenzie, and featured more than fifty works by seven artists. The mediums used encompassed acrylic and oil painting, drawing, sculpture in plaster and bronze, printmaking, and textiles. Poems were written by Columba and displayed alongside painted works, and patrons were able to listen to an audio recording of said poetry on headphones.

Watch the video walkthrough of the Exhibition, and scroll down to the galleries below to see each artist’s work. You can also click on a name to jump to a specific artist’s gallery.

MATTHEW FALL MCKENZIE

Dante and Virgil in Hell
Acrylic on canvas  |  100 x 100 cm

Momentum (Homage to Russolo) I
 Acrylic on board  |  30 x 70 cm

Momentum (Homage to Russolo) II
Acrylic on board  |  30 x 70 cm

The Great Hog Hunt (Study)
 Ink on paper  | 6 x 15 cm

The Great Hog Hunt
Acrylic on canvas  |  30 x 100 cm

The Feast of Phineus
Acrylic on board  |  70 x 30 cm

The Judgement of Paris I (after Vladan Pejanovic)
Graphite and black chalk on paper  |  27.9 x 21 cm

The Judgement of Paris II (after Vladan Pejanovic)
Graphite and black chalk on paper  | 21 x 27.9 cm

The Judgement of Paris III (after Vladan Pejanovic)
Graphite and black chalk on paper  | 21 x 27.9 cm

FEN de VILLIERS

Prometheus
Plaster  |  60 x 26 x 56.5 cm

Blast
Patinated plaster  |  28 x 17 x 18.5 cm

Momentum
Patinated plaster | 16 x 14 x 56 cm

Visions of St. George
Bronze  |  30 x 18 cm

Pegasus
Textile, silk

Ascent of Alexander
Textile

The Exhibition Poster
Screenprint on paper  |  89 x 35 cm

The Three Lions
Textile  |  120 x 180 cm

ALEXANDER ADAMS

Female Nude with Boots on Couch
Oil on canvas  |  80 x 60 cm

Untitled
Oil on canvas  |  69 x 48.5 cm

Man
Oil on canvas  |  66.5 x 51 cm

Ruins (Homage to Friedrich)
Oil on canvas  |  60 x 80 cm

Untitled
Oil on canvas  |  75.5 x 60.5 cm

Königliches Schloss, Berlin, 1946
Oil on canvas  |  70 x 54.5 cm

La Paresse
Lino cut print  |  17.7 x 22.2 cm

HARALD MARKRAM

The Annunciation to the Shepherds
Oil on canvas  |  91.5 x 61 cm

Sunrise on the Mountain Peak
Oil on canvas  |  61 x 91.5 cm

Two Trees at the Edge of a Forest
Oil on canvas  |  25.5 x 20.3 cm

Trees in a Field
Oil on canvas  |  20.3 x 25.5 cm

Coast Rocks During a Red Sunset
Oil on canvas board  |  20.3 x 25.5 cm

The Call of the Trumpet
Charcoal on paper  |  30.5 x 22.9 cm

Sigurd Kills the Dragon
Charcoal on paper |  43.2 x 35.5 cm

Siegfried Reforging the Sword
Charcoal on paper  |  30.5 x 22.9 cm

Landscape I
Monoprint on paper  |  15.2 x 20.3 cm

Landscape II
Monoprint on paper  |  20.3 x 20.3 cm

Landscape III
Monoprint on paper  |  15.2 x 20.3 cm

Landscape IV
Monoprint on paper  |  15.2 x 20.3 cm

VLADAN PEJANOVIC

Above are displayed scans of the drawings by Vladan originally intended to be displayed in The Exhibition.
The Exhibition team was unable to import the original drawings due to unforeseen circumstances, so with Vladan’s permission, copies were made.
The copies that Matthew created for The Exhibition are displayed below:

The Judgement of Paris II (after Vladan Pejanovic)
Graphite and black chalk on paper  |  21  x 27.9 cm

The Judgement of Paris I (after Vladan Pejanovic)
Graphite and black chalk on paper  |  27.9 x 21 cm

The Judgement of Paris III (after Vladan Pejanovic)
Graphite and black chalk on paper  |  21 x 27.9 cm

SAMUEL WILD

samuel.wild16@outlook.com |  Twitter 

Guy Fawkes
Watercolor on paper
27 x 21.5 cm

Saint George
Pencil and watercolor on paper
25 x 20 cm

Father Christmas
Ink on paper
28.5 x 20 cm

Death
Watercolor on paper
28.5 x 21.5 cm

The Pool of Life
White and black chalk on paper  | 60.5 x 47 cm

The Cypresses
Ink on paper  |  29.7 x 40 cm

Dusk and Dawn
Soft pastel on toned paper  |  34 x 42 cm

The Old Knight
Aquatint on paper  |  41 x 29.7 cm

ATALANTA
 

Nakedness on black earth
Bearing swaying dead
The bewildered beast.
Glistening eyes without a veil,
Glittering blood on the western pale:
A virgin star in the east.

 

Written to accompany The Great Hog Hunt

 

PHINEAS

He who’d think on Phineas, would surely ask
The reason why, if swinging by the Boreads
Could wing their way, within a day
To set the Harpies reeling,
Phineas should never think to
Up and steal from stealing?

I fear, alas, that Phineas,
Grown fond of his condition,
Came to rue the Argo’s crew
And Jason’s gold ambition.

 

Written to accompany The Feast of Phineus